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Cake day: July 26th, 2024

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  • Sort of? It seems to me that Darpa has only been able to transfer about 800 watts over a 5 mile distance. A nuclear power plant produces something, like, 500 megawatts? This wouldn’t be enough to justify the power production at that scale, not to mention I’m skeptical of any wireless solution that wouldn’t drop some energy efficiency and it would obviously require constant visibility which would also need manned guidance.

    If this weren’t Elon musk, I would say producing liquid hydrogen wouldn’t be a terrible way to at least save unused power, but then you have a whole different host of problems.




  • nobody is forcing Olivia Dean to use Ticketmaster

    sigh I really really wish you were right about this, but I think you’re grossly overlooking one important detail.

    Ticketmaster is owned by a company called LiveNation. LiveNation paritially owns or signed licenses to almost every single large venue. If you’re a big band, you’ll unfortunately need a large venue and the only company able to provide that service in most of the United States (ignoring Los Angeles, New York, or other huge metro areas) is LiveNation.

    So the gambit that Ticket Master has employed: 1 - Bail out almost every huge stadium with financial investment, but with intent to sign a special license which gives them ticket priority (so LiveNation gets the tickets first) 2 - Sell these tickets on TicketMaster, with 1/4th being intentionally given to ticket resellers with the intent of inflating the market (each transaction on the “used” market is actually redirected to TicketMaster).

    I’ve looked and in my city (Portland, Oregon) there’s only a 2 venues that are large enough for a popular artist to play at that aren’t owned or invested into by live nation, and these venues might not always be appropriate for acoustic needs. You can read more about this here but, to put a point on it, I actually don’t think artists are to blame for needing to sell tickets on ticket master due to how hard it is to find a large venue in every city across the United States. Otherwise, you’ll end up paying ticket master more for venue access anyway, from my understanding. Granted, all of this is hard to know for sure, as you’d actually have to have experience with managing a multi-million dollar band or singer to really understand the scope of the problem here.